Timing and Translation by Patonyan

(Second Half online October 25th)

One of the longer running series by PETERS is GACHI NANPA--Japanese for "real nanpa". In it, we get something of a guerrilla pickup vibe where under the guise of filming for some type of late night TV show, pickup artists approach easy on the eyes ladies in various locations for various reasons. The end results--and this should come as no surprise--are extremely wild sex. What makes each new edition in this unique is the female cast (of course) and the main theme. Some may think otherwise, but simply casting the most beautiful of women and shooting a movie with dreadfully done execution will lead to big sales. Larger studios already may be finally realizing that the end result of the 2023-2024 Oppai War that even chest size has its limits.

With that said, while REAL NANPA - FROM LINGERIE CHECK TO WILD RAW CREAMPIE SEX may not be as 'engaging' as other similar releases they have done like their PEOPLE MONITORING outings, they absolutely nailed casting. And yes, the sex is incredible too. AND while I always prefer these types of movies to stay entirely 'in the van', the hotel transitions are surprisingly believable and this time around contain some great surprises and also make great use of the furnishings. What's more, did I mention casting? In particular, PETERS was wise to book-end this massive FIVE HOUR movie with two extreme pieces of eye candy who are both so beautiful and unique, even if I had something drawn against my head, I honestly could not choose.

NOA MIURA and KOKONA ASAKURA. I've fallen in love with both. The former? Almost, but not quite a 'bad girl' in the face that goes hand-in-hand with a body that can only be described as dangerously perfect: perfect breasts, a perfectly thin waist, and perfectly long legs. She makes the front cover of this movie and even without any retouching is almost on another level. KOKONA ASAKURA, whom remains active to this day, is almost NOA's alter-ego: from dark and mysterious we get unique and outgoing. Perhaps it's due to not being Japanese and going to a fair amount of 'international parties' in another life, but KOKONA looks like the kind of lady who prefers foreigners. Both NOA and KOKONA sport great bodies and great sexual appetites. They go long and hard. In fact, the same can be said for all five women taking part. Sure, the ones in the middle may not be as high on my list as these two, but this is all just personal opinions. Each brings something special to a movie that begins with just an innocent fashion check in a junky van before segueing to hotel sex so wild even concrete walls may not be enough to mute the moans.