Timing and Translation by ZENRA

(Continue to Second Half)

In another life, I recall reading about how the best way to handle those with...ah, unique religious outlooks, who go door to door is a combination of knowing their religion better than they do (somewhat challenging, but feasible) and focusing all your dialog on the younger of the pair (as these often are elder-trainee groupings). In an example of reverse disarmament, this may lead to the younger who may not be totally sold on what she's supposed to be preaching to rethink certain life choices. A weird way to start a review for a good nanpa movie, but this strategy of bringing down defenses in a situation where it's two against one with large age gaps hold true though this time, it's the older whose defenses need to be brought down while the younger watches in awe and soon enough, with arousal.

The last update in HOT ENTERTAINMENT's series all about age gap nanpa admittedly was not good (though access data shows subscribers loving it as much as the past which places me in the minority, apparently). It can be considered the black mark in a series that otherwise is pretty darn good. The details why are spelled out in that review and fortunately, they have been pretty much rectified in the tenth installment. NANPA LEADS TO RISKY THREESOMES 10, running for this series at least a shorter three and a half hours consists of four scenes: two FFM encounters that act as book-ends (both are much-sees) and two solo affairs in the middle (both are ah...). The flow remains similar to past encounters thus fans going into this should realize it's more about who appears in each encounter, not necessarily if each of those encounters will suddenly introduce something novel.

The middle scenes are odd; that they are split for one-on-one play really makes me wonder if it was even worth filming then. Simply two well shot FFM outings would have been enough to make this a great example and adding them in is an example that a fatter running time isn't always better. This time the name of the game is HAIR as in surprising change from the normal trend of everyone being shaved, we get some easy on the eyes beauties of various ages bringing something delightful between the legs out into the limelight. What's more, the first scene's younger actress not only is a cutie, but her moaning is of the extremely real and primal end of the spectrum; close your eyes and you may think you're taking in a NAO JINGUJI release!

Aside from that, ten movies in, it is difficult to focus on any fine points that have not been covered extensively in the past. The interviews (for the FFM portions at least) are indeed great, do run long, but as always, are fun to watch and see how they transition from banal everyday talk to body checks and risque requests of everyone retiring to nearby love hotels. Approaching pairs of Japanese women on the streets for weird late night television discussions held in studio vans remains a viable if not outlandish nanpa method at least in JAV Land.