Timing and Translation by Patonyan

It almost feels like this review needs to begin with an apology for neglecting to show such a unique series for so long. While SEVEN HOURS, JUST THE TWO OF US, isn't "old" by any means, with almost two dozen titles to its name, it's stupid--for a lack of a better word--for us to have missed out on such a great piece of modern JAV. Being the second movie we're showing from it on ZENRA and trying not to simply rehash what was covered in the previous update with AIKA, it may be a challenge to once again cover YUI HATANO's take on the 'sex all night in a high-rise hotel while shooting it all herself' theme...but I will try!

On the face of things, what can YUI HATANO do that she hasn't done already? This also holds true for AIKA and many others, but as we see, experienced and dare I say it--saturation--do not make for less in demand JAV stars. If anything, what we get are Japanese women with tons of experience not just at having beautiful sex, but doing so in a wide variety of roles. SEVEN HOURS, JUST THE TWO OF US, the series not just this specific update from it, seems to feature freelancers of renown given free reign to go at it anyway they want with a real amateur guy who presumably before the shoot withheld from masturbating for two and a half weeks because otherwise, I cannot see how one--no matter how healthy and physically fit he may be--could ejaculate so much over one night.

And yes, DREAM TICKET thankfully is NOT a fake creampie JAV studio. All about a guerrilla vibe with a focus on realism, the sex may be protected with rubbers, but those finishes are all real and even simply preparing this movie for ZENRA made my own 'symbol of masculinity' feel sore. Really, YUI HATANO is a babe nonpareil, but I'm not sure if I could handle a whole night of almost nonstop pistons (har har, without rubbers, for sure, but that's where one man's fantasy ends and the reality of safe sex JAV filming begins!).

In spite of this being on the face of it, a lower budget shoot, Director Kurumi Ichinose provides a great camera and presumably helps get each shot setup in the most perfect way making for a movie that contains DREAM TICKET's tried and true guerrilla vibe but still feels and looks beautiful. This is basically the type of movie most any wannabe FC2 director dreams of shooting but instead provides...well, something a lady like YUI HATANO would never consider starring in.